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Today is a research/notes day. Yesterday and tomorrow, writing. I’ve just finished recording my notes from David E. Gehlke‘s Damn the Machine, which I highly recommend if you want to learn, in detail, the history of Noise Records. It includes a section on Coroner, but goes into depth the sagas of Celtic Frost, Kreator, and Helloween, plus information on copious other Noise bands like Running Wild, Rage, Tankard, etc. Excellent book, excellent resource. Also, excellent guy, that David E. Gehlke.

Furthermore, I went back into my very old notes and pulled up all my information about the Masked Jackal video, as tomorrow’s writing session will get into that. Yesterday, I went into Marky’s lyrics for Punishment for Decadence, and got into the recording, a bit of technical information, plus stories.

As for video interview notes, I have just made it over the midway hump in interviews with Marky, who is my main source (and he’s just full of info) — #22 of #42 (so far). Our interviews have stalled as we got into Grin, which is where it has been sitting for a while, since I had to take that too-long break. I’m looking to have the interviews I have notated by at least the end of April, if I don’t take too many days off, and then we can resume those interviews. It’s a lot. I’m alternating notation and writing days, so everything is still in motion without getting burnt out on either.

Speaking of days off: That west coast trip next month to see three Coroner shows just got more exciting, for me, at least. Added to the excitement is a topic very close to my heart: practical film effects. Fun fact: Back in the early ’90s, I went to school for this. I’m a huge horror fan, and an even bigger fan of the guys who made the gory, monster magic happen. If you’re into this sort of thing, you may know that Bob Burns passed away in December. Read about him here. Huge loss. That said, his basement wonders live on, or will, in the capable hands of Greg Nicotero. I am old enough to have been following his career since almost the start of it, and being from the Pittsburgh area, of course he’s a hero of mine. (of course!) I mean, just look at his filmography.

My husband, Anthony Everitt, is currently writing the Son of Dr. Cyclops video review column for Fangoria magazine, which is appropriate, because the original Video Eye of Dr. Cyclops, back in the early-to-mid ’80s, was his father, David Everitt, who also co-edited the magazine with Bob Martin (if you dig on older horror films, you should definitely check it out). It’s a family thing. Anyway, when he saw that Burns had passed, he knew there had to be an appropriate memorial in the magazine, and an 800-word piece turned into a 2000-word 2-part feature, which is exactly what the man deserves.

So, obviously, he needs to talk to some of the people who were closest to Burns, which began with Greg Nicotero on Friday and, today, Steve Wang (…it’s too cool). It’s in progress, so the interviews will be rolling in — it’s going to be great to get into the real old timers — the originators. Hubs is about to be privy to my own Zoom interview notation struggles! In any case, when we make the west coast show trip, thanks to his apparently tremendously generous character, we get to have hangs with Greg Nicotero while we’re there, which is just fabulous. In addition to this, but unrelated to the Burns quest, we’ll be having lunch or dinner with another practical effects royal, the mighty Mark Shostrom because he is a very good egg and a fine fellow.

The other fun thing I’m looking forward to (and will drive home exactly the level of nerd I am) is (if we have the time and I hope we do): we get to go visit Antonio Bay! The filming location for The Fog (1980, not the remake) is in the Inverness/Point Reyes area, just north of San Francisco.

That’s all the informative and cool, personal news I have. Now…back to the work…

Everyone who listens to Coroner knows by now that they are commencing their Dissonance over the West Tour in February, which will be the first time they’ve done this since the ’90s. I have been fortunate enough to live on the east coast and have seen them twice in the last few years, once in Philadelphia and once in Baltimore. I have no idea when they will be doing the east coast leg of this tour, so Hubs and I have made the decision to head out west to catch three shows — the Whisky-a-GoGo in West Hollywood and The Glass House in Pomona, both in the Los Angeles area, where I lived, geez, over twenty years ago.

In fact, I used to live on a little street (Sal Mineo was stabbed and killed just down the street a bit) right off of Sunset, just a few blocks from the Whisky and the Rainbow Bar and Grill; the Tail o’ the Pup also walkable in the other direction (excited about dem dawgs!). While there, I will show Hubs my old haunts around Venice Beach, Santa Monica, up the 101 to Topanga Canyon, and over the hill to The Valley and North Hollywood, where I lived briefly. Then down around Pasadena to see our friend, F/X Master, Mark Shostrom. (Just the nicest guy.)

After that, it’s up to San Jose to catch them at The Ritz. (Hoping to stop at the Sequoia National Park on the way.) Happily, we have two friends there as well, one of whom I’ve not met in person and the other I haven’t seen in about fifteen years or so. After that, we’ll head over to Guerneville to see even more friends. This is a trip we wanted to take anyway, to make these little visits. The whole thing is very exciting. Whenever they get around to touring the east coast again, we’ll probably do the same thing — travel a bit to see three or so shows.

I am super excited for this. It’ll be my first time hearing my lyrics live! If you told thirteen-year-old me that I would be writing Coroner lyrics and hearing those songs, both recorded and live…all of that…I’d have said you were absolutely nuts. But then, had you told me I’d be writing their biography, I’d have responded the same. Tip: If you want to do something, kids…just ask. You might get lucky like me and they say, “Yes.”

(If you’re going to be at one of these three California shows, let me know and hopefully we can say hello!)

This is the big travel-trip for 2026. Other trips include probably going to Providence, RI to attend the NecronomiCon with some good friends from Pittsburgh. Before that, though — Pittsburgh! To see family and more good friends, and to attend what is likely to be the final Living Dead Weekend held at the Monroeville Mall before those sacks of shit tear it down. I don’t mind saying, I’m just heartbroken we’re losing this iconic Romero landmark. Nothing is sacred.

With all the running around, the cats will be unamused.

Writing-wise, I’ve written about 15,000 words in the past 2.5 weeks. Not a whole lot more to say about that, except that I’m happy with the progress — about 1,000-2,500 words a day (occasional days off to, you know, do life stuff), bringing the total to almost 53,000 words (which is the equivalent of half a novel, and I’m only on the ’86 Celtic Frost/Voivod/Running Wild US tour Marky and Tommy roadied on — guys, this is going to be a long-ass book) In addition to my daily writing, I am also still (and will be for what seems like the rest of my life) processing video interviews into timestamped notes. It’s the foundation of everything, and if I don’t keep it up, I will eventually find myself at a standstill with the writing, and that can’t happen.

I know it’s been a while since my last blog post, but really, the interview processing and the writing take up so much time. Sometimes, it just takes a few hours to hit my daily goals, but sometimes there’s so much going back and forth, searching for information in my notes, it can get up to six, eight hours. Today, as you can tell, what a short day, so…here I am…

Butter Fingers

In the last post, I mentioned that I broke a little piece of Coroner history.

So…here’s a print of the original manipulated photo used for the cover of the Death Cult demo, and that is the actual sheet metal/copper cross that Marky placed upside-down on the skull’s forehead. And right after I took this picture, as picked it up to place back into its box, I dropped it, and the sheet metal and copper parts separated.

And I wanted to throw myself off the balcony.

Thankfully, it’s the kind of thing that can be fixed easily. From glue it was secure, and back with glue it would go.

Ugh…thinking about it still makes me cringe.


Ambrose Bierce once said that erudition is dust shaken out of a book and into an empty skull. That has nothing to do with this post, except for the skull part. But…now you have a Bierce quote to throw around so…you’re welcome. This is primarily a photo post.

This 1985 picture…

…was taken in the bedroom Marky had grown up in, in his family’s Zurich apartment. In fact, it isn’t one picture at all. I’m not sure if the camera had no timer, or what have you, but no one was there to take this, so the pictures of each individual were taken, and Marky used his graphic design skills (for which he was in school at the time) to make a composite. Turned out great!

And this picture…

…was taken by me during the September 2024 research trip (almost 40 years later!), in the very same apartment that Marky grew up in, and in which he currently lives with his beautiful family. And that is the same skull. Also, Marky is a lot of fun.

Here it is in color…

I got to hold a little metal history right there. I got to hold a number of historic Coroner items, actually. I even broke one of them; yes, I was mortified. More pics and posts to come…

Art Extravaganza

Today’s post is only just barely Coroner related, sorry.

The other day, I finally got back into my Coroner book IG account, and I posted a few pics from my newly settled writing nook (in the guest room). See above — there are three Coroner/Coroner-related items. Two signed OG photos from the very early days — I’ll say 1986 and 1987. And then the March 6, 2025 flyer for the show at Metro Baltimore, where we (Hubs and I) drove to from Pittsburgh to see them for a second time (first was in Philly). That’s the Coroner part. The other part I really wanted to blah-blah about are my Chippendales. No, not these Chippendales…

I’m not, like, an “art buyer.” But recently — since we’ve moved into the new place and finally sucked it up to frame and hang stuff we’ve gotten over the years — I realized that I kinda am…? Anyway, so, also in the above pic includes a painting by harsh noise artist, Richard Ramirez (Black Leather Jesus, Werewolf Jerusalem, etc); a Richard Wells woodcut print (“Witchfinder Bedeviled”); an insider-information pencil drawing of David Gale in Re-Animator by my husband; and an original scratch board piece by Thomas Ott (who sings in Tar Pond, Marky Edelmann’s band). Smack in the center, “Blood Moon” print (17/50, 2nd ed.) by Brian Chippendale of Lightning Bolt.

Also in the guest room, I’ve hung Chippendale‘s “Body Parts 22 Cabin,” one from what looks like a 2021 run from a 2011 original print run. I’ll be adding more to this wall. I have a sweet Dave Trenga acrylic on board piece (a gift from him for my 50th birthday last year! I also have a painted coffee table and a pen and ink piece by Dave).

Finally, in the living area, Chippendale‘s “Easy Cowboy” (2nd ed. 2025). I hear ya, Cowboy. I hear ya. (The Bride of Re-Animator poster in the back was a 51st birthday gift from my husband, recreating my high school bedroom, except my poster was in much worse shape the last time I saw it, decades ago.)

Fun Fact (that makes this post still a bit Coroner, or Tar Pond, related): Marky introduced me to Lightning Bolt, and since then I’ve seen them three times. And I’m grateful for that, because it was a triple threat: I got great new-to-me recorded music, a brand new favorite live band, and, as it turns out, an artist whose work I really love. (Enough that I became a “Patreon,” which I’ve never done before and he remains my only subscription — I am looking forward to my random annual Chippendale art tied to my tier — will need to make wall space).

Now, I’ve linked to Brian’s store here as many times as is reasonable (probably unreasonable, actually) because…he’s very affordable and this is quality shit, and if you follow him on the various social media sites he occupies, you’ll see that he pretty frequently offers a percentage off. If you dig it, grab one, or three, or five. Someday, I want a “Megaflora Collosus” and a “Twilight Temple 2069.” Please don’t buy the last one of either of those.

I love bad “photoshop.” Get used to it.

Since Dissonance Theory came out, I’ve been seeing the ol’ “Rush of Thrash” being bandied about once again. By “again,” I mean in addition to my having gone through all of that Coroner-related press a few years ago. I think, since then, I’ve seen someone refer to them that way maybe once or twice. Surprisingly infrequently for the resoluteness by which it is used, as if it really is a common saying regarding the band. When I do see it, it is frequently preceded by “the band they call,” or “often referred to as,” or even “I like to call them” — something like that. Reviews, features, comments — it’s made it’s way into the recent conversation surrounding Coroner in a few ways.

I can no longer find the comment, but a commenter somewhere said they had tried to find the origin of “Rush of Thrash,” but to no avail. I can help. Maybe. Well, I’ll tell you now…I probably don’t know. But here’s a guess.

I have a lot of press. Like, a lot. In English, from the US & UK, to France, Germany, Spain, Italy, Sweden, Norway, Finland, Greece, Japan, etc. Switzerland, of course. At the moment, I have about 800 transcribed pages worth. So, I had a look. I found exactly two references to “Rush of Thrash”: One is from 2016 — an interview with Ron Broder by Luca de Pasquale-Manuela Avino on the Italian website Bass, My Fever. He writes:

Many people defined Coroner as “The Rush of thrash”, which shall be interpreted for the best, by reminding us the complexity showed by both of them, by the way it remains a limited definition which isn’t able effectively to describe the potential of Ron and company.

The second, which I thinks gets us somewhere, is in the April 2012 (No. 24) issue of the German metal fanzine Totentanz (est. 1988) . “Hansey” (Thomas Hanzen) says:

“A Lost Dream” contains riffs that were similarly used two years later by a certain Jon Schaffer on the Iced Earth debut. Again, this shows the vanguard position of the “Swiss Rush of Thrash.”

But, 2012, you say? Yes, but, this is not very long after Coroner reformed to play shows in 2011, and coming from a retrospective piece covering all the albums they had covered over the years (and an interview with Marky Edelmann). Totentanz has the special distinction of being named after Coroner’s song, “Totentanz” (lyrics by Andy Siegrist, 1986).

For this nickname to have been making the rounds as much as it has, I would assume it’s been around for a while, so 2012 is probably not early enough, but I am wondering if Totentanz is the originator, perhaps from an earlier issue I don’t have (yet). I think that might be our best guess, because, though I don’t have every issue of Totentanz, I do have a lot of press going back to 1986. Not a peep til 2012, then 2016. Hmm…

It’s unlikely that “people” glommed onto this from something that found it’s way into print in the early days, as I think I’d have seen it more. There is a chance that this phrase didn’t get really picked up until 2012, because, again, no sign of it in the press, so it’s possible that the online public saw this interview/retrospective, picked it up, and then just ran through the interwebs with it and everyone just assumed it had been around forever. Hansey could be quoting himself from the distant print past. It’s hard to know (unless that potentially-exciting Totentanz issue pops up for me). But, I’m still on the look out, because this sort of effectively-worthless trivia interests me, and perhaps it interests you, too. If I ever figure it out, I’ll let you know.

And, it’ll be in the book.

Fraction of what I sorted through on a 2.5-week trip to Zurich in Sept ember 2024.
Fraction of what I sorted through during a 2.5-week trip to Zurich in September 2024, graciously hosted by Marky Edelmann and his lovely family. I never ate so well.

As the title says, I’m getting back to the book. If you’re new here, I was unavoidably waylaid en route to finishing this book (this book being the official Coroner band biography) for quite some time, after two years of, geez, just a tremendous amount of work. I had an Instagram account specifically for the book, but I can no longer access it, which is a bummer. If you came from there, I’m glad you found me. This is starting from scratch.

That said, here I am. And I’ll try to give writing updates here, though, I have to tell you, it might be a little boring. I may have something interesting to say about the band, but…I’m writing. Researching. Processing a lot of video interview material. It’s very practical and time consuming.

I was going over everything where I left off when I finally gave up trying to keep the work up. So, writing-wise, I’m roughly 37k words in. I have no idea what the final MS will look like in terms of length. I know when I started writing, I set out some perimeters for myself, but blew right past the limit for each section I got through. There was just too much to include. I expect this book — at least in my own final draft form — to be hefty.

Research. I have, literally, a few thousand pages — Word docs, single space — of transcribed, translated press from all over the world, from 1986 to the present. I have lists out the wazoo — live shows (there might be a few missing, but it’s pretty exhaustive), releases (down to which Punishment for Decadence had the glossy black strip and when it got a matte strip), etc. I am coming up on a thousand pages of transcribed interview notes. More. It’s a lot, and a lot to manage.

The video interviews themselves…I figured it out at some point, but I can’t remember the number — I had, at that time, at least 100 hours. To be fair, my interview style is very chatty — it takes a while, but it seems to be the best way to jog memories and also just talk around the immediate topics at hand, giving a fuller picture of whatever we’re talking about. So, great for information gathering, not great when you have to sit down and do notation. And, again, time consuming, for me and for them (they’ve been very generous, particularly Marky).

I got four hours of sleep last night for no particular reason, but I’m determined to get something done today. I need to figure out/narrow down who else I need to talk to for this thing. I need to just sit down and read what I’ve written, then (or while) I update my 34-page outline (which, with the release of Dissonance Theory, will probably add a page or five). I am largely writing this out of order, so I need to organize a handful of sections to get my actual writing lined up (probably get back into the writing next week). Then, just some practical stuff.

We also have a wildlife person coming to start the process of removing the mice from our new home humanely, and the furnace inspection for the season.

See, the thing is that I am a single person. The fact is, I spent the first, say, eight months simply gathering press from the band, from online sources, from print magazines, etc., transcribing every single one of them, and then translating. I used a few translating apps, which have worked out very well, but they weren’t usable until I had transcribed everything, so that was absolutely necessary. It’s a lot of work, but it’s work that makes the sit-down writing go very smoothly, very quickly. Having it transcribed into a Word doc makes it possible for me to search all the information easily. I actually went through all of it, put it in chronological order, and separated quotes and paragraphs into topical sections, so, for instance, if I want to write about what Marky was saying about the lyrics from No More Color in 1989, there’s a whole section of quotes from myriad contemporary interviews, BOOM, all in one spot. I don’t have to go through every letter and word. I would then go to my master file of notes from the Marky interviews, search for No More Color and find everything he said about the lyrics. Easy-peasy.

Yeah, I’ve got the ’tism.

Anyway, the problem was that I literally did that 8-12 hours a day, 6-7 days a week, for months. Once I was finished with that, I implemented a No Writing on Weekends rule, and 5-7 hours a work day, no more. Frequent breaks. And…my husband is going to be helping me, in order to get things done faster (I must stress how much he’s helped by way of general support through this ordeal). Primarily, he’ll be conducting most of the rest of the interviews so I can concentrate on doing the stuff only I can do (so I know what I have) — processing the interviews and writing, writing, writing. And, of course, as always, he is my first, most perceptive reader.

See how exciting this blogging about writing this book is already? Oh, also, I’m not going to be talking exclusively about the Coroner book. I’ll be posting stupid shit here, too. Enjoy.

I can’t even remember what I did on Saturday. I really don’t. But I remember Sunday.

Sunday, we went into the city to have lunch with my cousin, which is something we’ve never done. She came up to NYC from Pittsburgh — I thought it was for work, but it turned out to just be taking some time for herself. She texted me a few weeks ago to see if we could meet up, and of course, I said yes. Yes, because I don’t really have much family, and we have never been close. Or, in touch, really. Ever.

She grew up across the street from the house we moved into when I was nine. She’s 5 or 6 years older than me (I think). Anyway, her father was my step-dad’s brother — the house we moved into was the old family homestead. All of the adults around us — my parents, her parents, all the other family parents…batshit crazy. Just so tremendously dysfunctional that there was little-to-no possibility that any of the kids would: 1) be able to interact with each other in a remotely healthy way, and 2) grow up to be functional adults without a lot of work.

I had been living in Canada with my older sister and my mother when my mother sprung our moving back down to the States on me. I wasn’t thrilled. I was already tired of moving around. But, I was assured this would be the last time (it was, at least with my family, but I would still change schools three more times anyway), and I would finally have a “family.” I would have a brother, cousins, aunts, uncles, a grandfather…the works. My maternal aunt and grandmother were with us in Canada, but this was, like, a whole bunch of family, and that was enticing. I thought a big brother would be cool, especially considering that my older sister (by two years) really didn’t like me much (at all).

So, I was all, “Okay.” And then we got there and the adults fucked it all up with the inscrutable bullshit-drama that we, the kids, are still trying to figure out. This particular cousin, who lived just across the street — we barely had any contact, and the adults made sure we knew that we didn’t like each other. Or, at least, we had vague reasons for assuming the other was the problem. Personally, I was told they were racist. And, for me, at that time, everyone was racist, so it wasn’t a surprise. It did, however, suck.

We had lunch, and we talked, and we got to sort out just a little bit more of the garbage we were left with — so many of the “adults” are dead now. Anyway, I was nervous, as I always am with any social encounter. I had no reason to be. We had a good ol’ time, a nice lunch, etc. And I think we might just keep in touch.

Afterward, Hubs and I headed over to Brooklyn to catch a show. Lightning Bolt with Kill Alters opening at Knockdown Center, The Ruins. Apart from inhaling fog-machine fog for roughly four hours, it was great (as usual). I like a lot of music and I go to a fair number of shows, but Lightning Bolt is my very favorite live. Great way to decompress from my self-imposed anxiety from the first half of the day.

Hubs’s cousin met us there and a good time was had by all. He had taken an Uber, but we drove him home, and on that ride he told us about what could be serial killer activity in that area — three men have come up dead in the Newtown Creek; clubbers and show-goers (one that had, apparently, just seen a show at Knockdown). One theory is that it’s an Uber driver. Good thing we, uh, drove him home.

So, that was Sunday. Monday, I had to go sandwich my tits for the mammogram I’ve been avoiding for a couple of years. Last time I did this (which was also the first time), it turned into a nightmare — I think I ended up having three mammograms, a lengthy, uncomfortable ultrasound, another mammogram (for some reason, they wouldn’t adjust it so I wasn’t literally on my tiptoes, which made it probably 20 times more painful that it needed to be…every…time…), and then a needle biopsy. All because I have fibrous ta-tas, which is not uncommon.

Um…that’s a high-anxiety situation. So, this time, I had a whole panic attack just trying to make the appointment, and I couldn’t stop shaking and, honestly, a bit of crying, just getting the thing done. Apparently, medical trauma is a real thing (to be fair, I had a bunch of other equally awful shit going on during the last epic mammogram journey). But, it’s done, and now I wait to see if we have to do all of that, all over again. And, if I’m honest, if we have to…I may never have another mammogram, come what may.

Tomorrow, I have a follow-up with Rheumatology. Dude ordered a lot of tests — I ended up giving them twelve vials of blood to play with, and after a while I stopped paying attention to the test results notifications I was getting. I didn’t know when they’d end, but presumably it’s all done and in now. So, we’ll see what he has to say. A quick, uneducated look at the results seems to indicate that nothing on his end is amiss, but…I am not a professional.

As it stands, I got the hypermobile Ehlers-Danlos Syndrome diagnosis, which is extremely helpful. I also have very, very high B12 levels, which is a bit of a mystery and Googling isn’t helpful. In fact, it is bad. But I’ll retest again in a couple of months — hopefully it will have gone down. Then of course, there’s my slightly-high cholesterol, which, considering my diet, is probably genetic, which sucks. But I’m going to see what I can do with just diet (I didn’t eat, like, a ton of dairy and fried foods to begin with, but now it’s all right out). And, in about a week and a half, I will see a psychiatrist that specializes in ADHD to see where I can get with that. I have theories and plans. I may get on a medication (and then hope that current events don’t take it away again).

I am hoping that by this time next year, I will have a handle on the variety of issues plaguing me, physically, emotionally, psychologically…and maybe I can live a remotely normal life. Huzzah.

Uh…today, I changed some light bulbs, hung some shelf-things in the downstairs shower, and did a whole twenty minutes on the elliptical, which I haven’t been able to do in, like, six months or so. So…yay.

Today is my last day on Instagram; I’ve had that account for, at least, sixteen years. I’m deleting it for reasons, only one of which I’ll mention — I’ve been meaning to dump my social media for a while. I cut it back about a year ago (I think), but it’s time for it to go altogether. I will keep the Coroner book IG open for a bit longer while I (hopefully) collect emails for a newsletter (of sorts). Otherwise, no more socializing in that weird, unnatural, entirely-too-addictive manner.

I spent today driving around my new environs, for the most part. Hubs had company, so I took the opportunity to have the car all to myself and…I went to Barnes & Noble.

Don’t mind if I do…

Article, and handy-dandy list of every drop of vinyl released by/with Peter Murphy. Yes, please.

Well, yes, indeed.

I had no idea this was a thing that existed. Apparently, out in 2022, which gives you some indication as to how out of touch I am. I’ll blame social media, because why not. I’ll blame it for everything.

I lazed around the cafe, flipping through magazines and having a coffee. Looked at all the bookish crap they sell — it’s crap, but I want a quarter of it, and I don’t need it. (No, I don’t need the big moon-shaped eraser. I don’t.)

But, I also had a mission. I need a decent messenger bag that holds my shit and has all the pockets and bits that I want. God help me, I went to the mall. The Walt Whitman Mall, which is hilarious. It’s on Walt Whitman Road (slightly less hilarious, but still wtf). All so named because Walt Whitman’s birthplace is there, right next to the Barnes & Noble. Walt, I’m sure, would be pumped about the four-lane road and the mall named after him.

Anyway, I went to the mall. I am not a mall person. So, question: Why are they always so goddamn hot? I entered through the Macy’s, looked around, and everything available sucked. I didn’t look in the women’s section, because there is never anything there for me. And the men’s…the closest thing that I still hated was just under $600. Everything else was a backpack.

Walked through the mall. From one end to the other, and on the other end was a Bloomingdales, which basically had everything that Macy’s had. There was nothing remotely enticing between the two. I walked back to the Macy’s, through the Macy’s, and to my car. Failure.

I went to Staples. Failure. I went to Target.

I did not buy these, but I admired them and dreamed my little dreams.

Failure…but I did scan the ‘Weens area and bought little ceramic ghosts and skeletons (which I needed as badly as I need the big moon-shaped eraser). I also bought some household crap that we needed.

Finally, I gave up on the bag. I realize that I have no idea where to shop for anything that’s not boring household crap, and I barely know where to shop for that. I find that when I enter a brick and mortar store, I rarely find what I need, and almost never what I want (unless, apparently, it’s a bookstore and I’m going in with nothing in particular in mind). My quest to cut back on the online shopping is, at this time in 2025, probably a pipe dream, which is a bummer.

I’ll probably have to buy this fucking bag online. *sigh*

Anyway, my plan was to then drive into Huntington Village to hit the public library. I was going to sit and read a friend’s writing, check out — and possibly sit down with — some writing reference books, but, unlike the time a couple of weeks ago when Hubs and I went, it was not quiet. So, my brain being the chaos machine that it is, there was no way I was reading anything. Talking…people talking in their normal volume voices, expect this one guy who was, of course, loud-talking on his phone. No one stopped him.

I walked up and down the rows, having realized I’d completely forgotten how to use a card catalog system; it’s literally been decades. So, I just looked. Walked, looked. At some point, amidst the talking, I ceased to even see what I was looking at and found myself just staring at a shelf of books — I don’t even know what was there — brain completely empty.

I did not find the writing reference section. I didn’t really find anything. And the talking, at the library, continued. So, I left. I ordered a salad, went home, fed the cats.

That was my day. My exciting day adventuring on my own.

Yeah, hi, if you know me, in real life or from Instagram…yeah, this is my blog. It’s basically going to be this. Sometimes, I might have something interesting to say, but, boy-howdy, not today. So, now I’m going to get into my jammers, eat a gummy, and maybe dip into the Graffin book until one eye transverses into the opposite socket to join the other (my cue to turn off the light), and I will sleep the sleep of the utterly bored.

The alternative is to turn on the news, and fuck that.

Cemetery Fun…

So, yesterday I said I was only on my laptop to go look for fun things to do around Sleepy Hollow, NY — for birthday shenanigans. There are numerous cemetery tours. I think we’ll do a “Murder and Mayhem” tour of Sleepy Hollow Cemetery on the evening of my birthday. But during the day…

Spooky lantern cemetery tours are what you do in October, and they are fine and dandy (if pricey), but you know what’s free? Hitting the boneyards on your own during the day, which is something I like to do in my free time anyway, so, of course, I hit up Find-A-Grave to see what’s in the area. I thought, oh, I’ll just find a little something to pass the daylight hours until spooky-spook tour time, and what do I find?

Dang, Ferncliff. I am pumped. Famous people? Man, we got ’em.

James Baldwin

Bela Bartok

Yul Brenner

Cab Calloway

Joan Crawford

Ossie Davis and Ruby Dee

Judy Garland

Jim Henson

Jeffrey Glenn Miller

Jam Master Jay

John Lennon

Moms Mabley

Thelonius Monk

Basil Rathbone

Christopher Reeve

Paul Robeson

Preston Sturges

Ed Sullivan

Conrad Veidt

Malcom X

…among a bunch of others.

Who am I most excited for? Conrad Veidt. I have a 27-year-old Cabinet of Doctor Caligari tattoo that’s itching to meet him.

Anyway, Ferncliff Cemetery is about 15 minutes from where we’re staying, so…obviously…