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Archive for January, 2026

That title is untrue. I finished the Punishment for Decadence section, where I cover the lyrics, the music, the production, the promo, and the shows/tours. I can say this — it does not lack for detail. I can also say this: Working on this is mentally exhausting, but I’m not complaining — my overall word count is at over 79,000. That’s more than double than it was just a month or so ago. (Yes, word counts are important to writers, mostly to feel like we’re getting somewhere.)

I also transcribed the Phil Rind (Sacred Reich) interview I did — checks video — May 17, 2022. Geez…anyway… These interviews are kinda funny — you have your list of questions, because you know what you need. I don’t know how other people do it, but I like to let the conversation kind of go where it goes. It’s not my life and experience, so knowing exactly what I need is impossible. Letting the dialog travel around the matter at hand does tend to prompt more memories than they would have otherwise — these events are from more than thirty years ago. I can’t remember thirty years ago — or, at best, it can be spotty. This did not work with Phil, bless him, but we did talk about lost sunglasses, the nightmare of travel these days, the trials and tribulations of almost single-handedly managing the band, and politics. Now, I must say, to be able to sit and talk politics with Phil Rind of Sacred Reich, feels like a special reward given for my faltering perseverance.

Phil Rind, if not taken backstage at the Motörhead Christmas Shows, taken at another min-your with Motörhead and Coroner within a month.

What we talked about mostly was the 1988 Christmas shows in Germany, where Coroner, Sacred Reich, Candlemas, and Destruction opened for Motörhead. It was their first European show, and the first night they played, the British contingent was an hour and a half late, causing the show to be equally late, so to avoid Motörhead having to go on in the wee hours, the played before Sacred Reich played last — following Motörhead, which no band wants to do. It was, in a word, harrowing. That said, they were given the penultimate slot before Motörhead the next night to make up for the previous night.

Notice these flyers have Death Angel and Venom attached and not Sacred Reich. That’s because both bands canceled — Vemon at the last minute — and Sacred Reich, one a dime, picked up that slack. (pics courtesy of Metallipromo)

To find out how Coroner fared — you’ll have to read this dang book.

Non-Coroner related, I am reading both David E Gehlke’s biography: The Life and Music of Chuck Schuldiner: Born Human, and Jonathan Lethem’s Motherless Brooklyn. I used to read almost exclusively fiction — many years ago. But for a long time now, I’ve read mostly nonfiction (hence why I thought I’d try my hand at it). Back when I was reading a lot of fiction, I read Motherless Brooklyn, so I know I liked it, but it was so long ago, I hardly remember it. My New Year’s “resolution,” which is really just saying “I should do that,” is to read more fiction, so I’m going with something familiar. Obviously unable to not also be reading nonfiction, Gehlke’s book is…Gehlke needs to stop making me look bad while he cranks out, like, two, three books while I slough through my one. I’m just kidding; he’s a lovely person who’s been very encouraging and he writes excellent, well-told stories of the bands and figures we admire.

I know I don’t get a lot of engagement here…none, really. But, in case you feel like it, tell me what you’re reading…? *echoes into the void*

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Today is a research/notes day. Yesterday and tomorrow, writing. I’ve just finished recording my notes from David E. Gehlke‘s Damn the Machine, which I highly recommend if you want to learn, in detail, the history of Noise Records. It includes a section on Coroner, but goes into depth the sagas of Celtic Frost, Kreator, and Helloween, plus information on copious other Noise bands like Running Wild, Rage, Tankard, etc. Excellent book, excellent resource. Also, excellent guy, that David E. Gehlke.

Furthermore, I went back into my very old notes and pulled up all my information about the Masked Jackal video, as tomorrow’s writing session will get into that. Yesterday, I went into Marky’s lyrics for Punishment for Decadence, and got into the recording, a bit of technical information, plus stories.

As for video interview notes, I have just made it over the midway hump in interviews with Marky, who is my main source (and he’s just full of info) — #22 of #42 (so far). Our interviews have stalled as we got into Grin, which is where it has been sitting for a while, since I had to take that too-long break. I’m looking to have the interviews I have notated by at least the end of April, if I don’t take too many days off, and then we can resume those interviews. It’s a lot. I’m alternating notation and writing days, so everything is still in motion without getting burnt out on either.

Speaking of days off: That west coast trip next month to see three Coroner shows just got more exciting, for me, at least. Added to the excitement is a topic very close to my heart: practical film effects. Fun fact: Back in the early ’90s, I went to school for this. I’m a huge horror fan, and an even bigger fan of the guys who made the gory, monster magic happen. If you’re into this sort of thing, you may know that Bob Burns passed away in December. Read about him here. Huge loss. That said, his basement wonders live on, or will, in the capable hands of Greg Nicotero. I am old enough to have been following his career since almost the start of it, and being from the Pittsburgh area, of course he’s a hero of mine. (of course!) I mean, just look at his filmography.

My husband, Anthony Everitt, is currently writing the Son of Dr. Cyclops video review column for Fangoria magazine, which is appropriate, because the original Video Eye of Dr. Cyclops, back in the early-to-mid ’80s, was his father, David Everitt, who also co-edited the magazine with Bob Martin (if you dig on older horror films, you should definitely check it out). It’s a family thing. Anyway, when he saw that Burns had passed, he knew there had to be an appropriate memorial in the magazine, and an 800-word piece turned into a 2000-word 2-part feature, which is exactly what the man deserves.

So, obviously, he needs to talk to some of the people who were closest to Burns, which began with Greg Nicotero on Friday and, today, Steve Wang (…it’s too cool). It’s in progress, so the interviews will be rolling in — it’s going to be great to get into the real old timers — the originators. Hubs is about to be privy to my own Zoom interview notation struggles! In any case, when we make the west coast show trip, thanks to his apparently tremendously generous character, we get to have hangs with Greg Nicotero while we’re there, which is just fabulous. In addition to this, but unrelated to the Burns quest, we’ll be having lunch or dinner with another practical effects royal, the mighty Mark Shostrom because he is a very good egg and a fine fellow.

The other fun thing I’m looking forward to (and will drive home exactly the level of nerd I am) is (if we have the time and I hope we do): we get to go visit Antonio Bay! The filming location for The Fog (1980, not the remake) is in the Inverness/Point Reyes area, just north of San Francisco.

That’s all the informative and cool, personal news I have. Now…back to the work…

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