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Posts Tagged ‘art’

Today’s post is only just barely Coroner related, sorry.

The other day, I finally got back into my Coroner book IG account, and I posted a few pics from my newly settled writing nook (in the guest room). See above — there are three Coroner/Coroner-related items. Two signed OG photos from the very early days — I’ll say 1986 and 1987. And then the March 6, 2025 flyer for the show at Metro Baltimore, where we (Hubs and I) drove to from Pittsburgh to see them for a second time (first was in Philly). That’s the Coroner part. The other part I really wanted to blah-blah about are my Chippendales. No, not these Chippendales…

I’m not, like, an “art buyer.” But recently — since we’ve moved into the new place and finally sucked it up to frame and hang stuff we’ve gotten over the years — I realized that I kinda am…? Anyway, so, also in the above pic includes a painting by harsh noise artist, Richard Ramirez (Black Leather Jesus, Werewolf Jerusalem, etc); a Richard Wells woodcut print (“Witchfinder Bedeviled”); an insider-information pencil drawing of David Gale in Re-Animator by my husband; and an original scratch board piece by Thomas Ott (who sings in Tar Pond, Marky Edelmann’s band). Smack in the center, “Blood Moon” print (17/50, 2nd ed.) by Brian Chippendale of Lightning Bolt.

Also in the guest room, I’ve hung Chippendale‘s “Body Parts 22 Cabin,” one from what looks like a 2021 run from a 2011 original print run. I’ll be adding more to this wall. I have a sweet Dave Trenga acrylic on board piece (a gift from him for my 50th birthday last year! I also have a painted coffee table and a pen and ink piece by Dave).

Finally, in the living area, Chippendale‘s “Easy Cowboy” (2nd ed. 2025). I hear ya, Cowboy. I hear ya. (The Bride of Re-Animator poster in the back was a 51st birthday gift from my husband, recreating my high school bedroom, except my poster was in much worse shape the last time I saw it, decades ago.)

Fun Fact (that makes this post still a bit Coroner, or Tar Pond, related): Marky introduced me to Lightning Bolt, and since then I’ve seen them three times. And I’m grateful for that, because it was a triple threat: I got great new-to-me recorded music, a brand new favorite live band, and, as it turns out, an artist whose work I really love. (Enough that I became a “Patreon,” which I’ve never done before and he remains my only subscription — I am looking forward to my random annual Chippendale art tied to my tier — will need to make wall space).

Now, I’ve linked to Brian’s store here as many times as is reasonable (probably unreasonable, actually) because…he’s very affordable and this is quality shit, and if you follow him on the various social media sites he occupies, you’ll see that he pretty frequently offers a percentage off. If you dig it, grab one, or three, or five. Someday, I want a “Megaflora Collosus” and a “Twilight Temple 2069.” Please don’t buy the last one of either of those.

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Well. We moved.

I’m writing here like I never left. Because…well, because. I don’t have the bandwidth to give a shit about…I don’t know. Professionalism? That’s not a thing here. Organization? I’m still up to my ass in boxes and endless to-do lists, things large and small. Screw it.

I’m getting off social media for reasons. I’d like to keep in touch with people — they may or may not make the arduous journey all the way off of social media to this blog, out in the middle of nowhere. Is it not weird that people do largely treat clicking off social media to just about anywhere else on the internet like visiting that friend that moved an hour out of the city? It’s literally just a few clicks. Oh well. I’m pretty much taking everything and everyone as they come these days.

But, we moved. To New York. Been here since around the end of June-ish, and it’s been a wild ride, one which I have zero interest to explain because, well, it’s sucked and I don’t want to revisit it. Suffice to say, though, that things are coming together. Not my workspace, though.

Looking at the last post, I see I was pumped to have an art space in the last house. I can say that I did create a few collages in that space, which I was pretty happy with, considering I was experimenting with the adhesive medium (and, really, the medium altogether).

My new space is an actual space — it’s the second floor loft of the new house. And it’s a mess.

I have since moved the desk into the room to the left (see door frame), where I type this as we speak (?).

So, yeah. That’s my new work space. Art space. Lots of room; lots of mess. But it’s nice and has potential. Bonus space is in the garage, which is still loaded with the boxes mentioned above. That will be my shop area, so the sloppier, filthier projects.

And that’s all I have to say. I didn’t actually log on here to do this. I just thought, well, while I’m at the desk. I came here to look up Halloweeny things to do in Sleepy Hollow, NY, because we just booked a few days over my birthday weekend in October. I’m going to go do that now. And, maybe, somehow, if I can manage to focus for ten minutes a day (tall order), I will make this a habit. Since I won’t be on social media anymore. Come Friday. Tick tock…

If you came here from Instagram, please leave a comment so I know you’re here.

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Got me a little space to work in.

Growing up, art was kinda what I did. I partook in other creative mediums like everyone else, and I had my favorites — books, films, music, etc. But what I did was visual. And I did it all the time. I never occurred to me that I should really be doing anything else and whether or not anyone cared about it was superfluous. It didn’t matter; it was just what I did. Until I didn’t anymore.

I have no idea why it’s been so hard for me to return to making art. But, I think part of it is that I’ve been conditioned, over time, both by the world and myself, that it’s not something I should take seriously. In fact, no creative endeavor that I can possibly engage in should ever be taken seriously. “Adulting” will do that to a person, or, at least, it did it to me. As a young adult, I didn’t really have the luxury of falling back on my family for much support financially, which might have been okay had I been even remotely prepared for making it financially in the world on my own. My very early steps were comprised entirely of single chances at anything, so if it didn’t take immediately on the first try, that was it. There was a lot of that. And it’s hard to learn anything when you can’t make any mistakes (or be unavoidably subject to the mistakes of others…lookin’ at you, Mom & Dad…). Without getting into details, there was a moment that sent me spiraling off my chosen and destined path, which was completely out of my hands, and while I did my best to steer it back, it was futile — decades removed, I can see that very clearly.*

This is purely a medium/materials exercise. Figuring out the best way to glue to collage.

I think of that moment in time occasionally and I still can’t figure out how I could have done any better than I did, and I did not do well. I can’t go back and retroactively give myself the knowledge and tools required.

Working in some paint to pull things forward…

But, since then, it was demonstrated to me repeatedly that one simply can’t take one’s art seriously — it cannot serve you in any way that matters (and survival was what had to matter). In addition to that, I was told — again, repeatedly, by multiple people — that literally no one would care about anything I did. I recall being confronted with the question: What makes you think anyone should care about what you do? As if, how dare I? It wasn’t difficult for me to internalize that because, well, I already had. This was a recurring unspoken question I’d grown up with.

…more paint and poppin’.

None of this is particularly unique to me, and creative types with worse backgrounds than me went on to take their art seriously and believe that, indeed, people would care…should, even. But I am a contradictory combination of determined/bold and fearful/meek — these qualities waver, combine, and split apart, depending on the context, the time, the day, the weather, the fates…who knows? Not me. And it’s far harder than therapists will tell you it is to fix, even while they tell you how so very hard it will be and how very long it will take.

And some drawings as proof of actual talent…

Reversing these mindsets and patterns of behavior is a herculean task, and no amount or type guidance is sufficient, if you can even find it. So, yeah, it takes decades. It has for me, and I’m still chiseling away at it.

But now I feel like producing art. And I’m still having a very, very difficult time taking it seriously. I expect people will or will not take it seriously, but I myself — right now — just can’t. Even though I know there’s no reason not to. I believe it’s just habit — habit of not taking myself and anything I might produce seriously. Imagine developing such a habit. Who’s got two thumbs and actually does that? (This guy.)

So, I am taking the making of the art seriously, and I’ll just have to wait a bit longer to be able to, naturally, take the content seriously. It’ll be a little while, unless I can find something in what I’m doing to take seriously myself. It’s a process. We’ll see where it goes.

(Wtf even is this…?)

* I know the popular response is to poo-poo this as being sour grapes. Like, my parents “weren’t perfect, but did the best they could.” Like, I’m just blaming my parents for my failures regardless of what they did or didn’t do because it’s easier than “taking responsibility.” My situation is complicated. And the fact is that I did, in fact, take responsibility for their actions for most of my life. I blamed myself entirely. But at some removal of my brain’s immature insistence that my parents would not do anything intentionally to harm me, the actual facts say different. I had to ignore a lot to maintain responsibility. It was less an intentional harm, but more that they simply didn’t care that the actions/decisions that helped them or helped my siblings had dire consequences for me — and this happened over and over. There are reasons too wild to get into here, but, suffice to say, this is not simply blaming someone because shit didn’t turn out the way I’d planned.

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